February 4, 2014

Not Going Against or With the Spin

When counterlooping, you'll notice how top players tend to counterloop with lots of sidespin. They rarely counterloop with straight topspin. To do so would mean contacting the ball directly on top of the ball, and going directly against the incoming topspin. The ball would then jump off the paddle, and it would be tricky keeping it on the table. Instead, they mostly contact the ball on the far side, which avoids taking on the incoming topspin directly while putting a sidespin that curves to the left (for a righty). Some do the opposite, and contact the ball on the near side, and the ball curves to the right, again avoiding taking on the incoming topspin directly. (This is a bit more difficult.)

Of course once they are into a counterlooping duel, the incoming counterloop usually has sidespin, and if you counterloop it back with sidespin (assuming both are contacting the ball on the far side), you are taking on the incoming sidespin directly. But that's not much of a problem because by doing so it becomes trickier controlling the sideways movement of the ball, just as taking on the topspin directly makes controlling the up-down movement of the ball more difficult. But you have a much wider margin for error with sideways movement; few players miss because they go too wide, while many miss by going off the end.

You actually get a bit more topspin when going directly against the incoming topspin, where the ball rebounds back with topspin, if you can control it. The same is true against an incoming loop with sidespin and topspin - if you go directly against the incoming spin and loop back with your own sidespin and topspin, you get a bit more spin overall. (And that is one reason why in counterlooping rallies both players continue to sidespin loop.) However, the difference here is minimal as players are often throwing themselves into each shot, thereby getting tremendous spins regardless of the incoming spin.

When the backhand banana flip, you face the opposite. (Side note - I call it a backhand banana flip for clarity, even though there is no corresponding forehand banana flip.) Against a heavy backspin ball, it's difficult to lift the ball with heavy topspin and keep it on the table. The table is in the way, and so you can't really backswing down as you would when doing a normal loop against a deeper backspin. The banana flip solves this problem by having the player spin the ball with both sidespin and topspin. Contact is more sideways, which makes lifting much easier as you are no longer going directly against the backspin. Intuitively this doesn't seem to make sense to a lot of people until they try it out, and discover how much easier it is to flip the ball, often with good pace as well as good spin (both topspin and sidespin).

Some players face the same thing when looping against deeper backspins - they have trouble lifting the ball. This is mostly a technique problem. However, some top players do sidespin loop against heavy backspin, which makes it easier to lift. Jan-Ove Waldner was notorious for this, often sidespin looping over and over against choppers until they gave him one to loop kill. But the difference here is that you have room to backswing, and so you can actually use the backspin to create your own topspin.

Sometimes you want to go against the spin. For example, when pushing it's easier to load up the backspin against an incoming heavy backspin as you can use that backspin to catapult the reverse spin back, giving you an extra heavy backspin. You get a lot more backspin when pushing against incoming backspin than you do against an incoming no-spin ball. And with a banana flip, against a topspin serve it's easy to go against the spin by contacting the ball nearly on top, using the incoming topspin to rebound off your racket to give you an extra heavy topspin.

Teaching How to Tell Time

Yesterday I made the mistake of teaching a 7-year-old how to tell time. He was used to digital, and had no idea what the various hands on the clock meant. So I taught him. He not only was fascinated by this, but the rest of the session he became a clock-watcher. He didn't completely get the idea, and kept running over to the clock and trying to figure out the time (usually getting it wrong). I tried to convince him that time slows down if you keep watching the clock, but to no avail. This was the second time I've made this mistake - I taught another kid the same age how to tell time sometime last year, with the same result. Never again!!!

New Coaching Articles by Samson Dubina

There are a number of new coaching articles up on the news section of his web page.

Juicing for Athletes

Here's a video (5:28) about table tennis coach and cyclist Brian Pace's new book, Juicing for Athletes.

ITTF Monthly Pongcast - January 2014

Here's the video (12:33).

ITTF Approves First Poly Ball

They also now mark all approved balls as either celluloid or plastic. Here's the listing: see item #49 (you'll have to go to page 2). The approved Xushaofa ball is the same one I tested and blogged about on Dec. 26. (See second segment.)

Ma Long Endorses New Plastic Ball

Here's the article.

Prince Plays Table Tennis on New Girl

Here's the video (45 sec) of Prince on the TV show New Girl, which includes a segment where he plays table tennis.

Sony Commercial

Here's an ad (32 sec) for Sony TV that features Justin Timberlake (on right) and Peyton Manning playing table tennis.

A (Ping-Pong) Table for Two?

Here's the cartoon!

Non-Table Tennis: My Thoughts and Ranking of the Academy Award Nominated Movies

I've now seen all nine movies nominated for Best Picture for the Academy Awards. Here's my personal ranking and short analysis of each. Note that all nine were good, so finishing last here merely makes the picture one of the best of the year. I'm pretty sure my #1 will win best picture.

  1. 12 Years a Slave: Will and should win Best Picture. Brought something new to the screen: slavery as seen by someone who, like us, learns about it as he experiences it. Pretty brutal movie.
  2. Gravity: Also brought something new to the screen: the experience of being in space. One of the few movies you really should see in 3-D. It reminded me of Jurassic Park. Both are examples of "special effects movies" that also have good stories and good acting. Along with "American Hustle," has a chance to challenge "12 Years a Slave" for best picture.
  3. Captain Phillips: Great performance by Tom Hanks, great drama. Rather than demonize the bad guys, shows it from their point of view as well so you see why they did what they did.
  4. Philomena: Surprisingly good. I went in thinking this would be a somewhat boring movie, but it got better and better as it went along. When I see old pictures of people I almost immediately wonder what happened to them, and so this movie was almost an extension of that as the main character tries to find out what happened to her long-lost son. It got even more interesting when we find out what happened to him, and she tries to learn more about him.
  5. Nebraska: Interesting movie, but pretty grim, despite the intermittent humor. I kept hoping I don't end up like that when I'm old. I kept wondering how in heck could they end this movie effectively, and they found a way. (Though I found it a bit convenient that the bullying character just happened to walk out of the bar at just the right time.)
  6. The Wolf of Wall Street: Fun movie. We all know about the extravagances of Wall Street, so it didn't really add to that. A little long for the story.
  7. Dallas Buyers Club: This was a tough one to rank. Ultimately it came out toward the bottom because I could never like the main character. He started out as a ridiculous redneck character because he was surrounded by ridiculous redneck characters. Then he changes because he's now around new types of people, and begins to take on their traits. So he's basically just becoming whoever is around him. Not much of a thinker.
  8. Her: A bit long and slow at times. Nice concept.
  9. American Hustle: Entertaining, but didn't have the substance of some of the others. Surprisingly, this is the main challenger to "12 Years a Slave" for best picture, and it has a chance. 

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