Do you keep a table tennis notebook? I did for years, and I recommend you do as well. I used a steno notebook. From front to back, I would take notes on my own game - what I was working on, what drills I was doing, what worked and didn't work in matches, etc. On the other side - back to front - I kept tactical notes on opponents. When the side on me was filled up (it usually went first), I'd get a new notebook for my game and start fresh. At tournaments, I'd bring past notebooks (with the ever-growing notes on opponents), and would be ready against any opponent I'd ever played against.

After doing this for perhaps a decade, I realized that I'd been doing it so long that notes about opponents I’d played were all in my head, and that I no longer needed to consult my notes to remember them – but the very act of writing them down made it easier to remember. I eventually retired my notebook in regard to tactical notes against opponents – though I sometimes would write down the notes as a memory aid, and then put them aside – but for years afterwards I kept notes on my own development and what I needed to do to improve.

These days you might use a smart phone for such notes, or go old school with a steno notebook. It still works!

While I no longer have a notebook for my game, I still keep notes on regular opponents of players I coach, which I jot down at tournaments and later type up in my coaching files on my computer. When I show up at major tournaments I bring these top secret printouts. 

Returning serves is all about ball control. In a rally, the incoming shot is usually more predictable than a serve, which normally has a much wider range of variation – topspin, sidespin, backspin, at all speeds and placements. To return serves, where the incoming ball is far less predictable, it helps to shorten the stroke to maximize control. This cuts down on power, but the shorter backswing gives you more control. (Just as with other strokes, the backswing and follow-through should still be about the same length.) The exception here is against a deep serve where you read the ball well, and so may use a normal loop stroke.

Watch the top players, especially against short serves. Do they rip the ball when receiving? Only occasionally, and when they do it’s because of their extremely high level of play, or because the opponent made an error with their serve (a slightly long or slightly high short serve, or a “surprise” deep serve that doesn’t catch the receiver off guard). Whether they are pushing (short or long) or flipping, it’s all about consistency, control, variation, and deception. And for that, they shorten their swing and gain in all four categories. 

Recently a player asked me how to deal with nervousness in a match. I’ve written articles on the topic, and there are a number of techniques for dealing with this – as I pointed out to the players, different methods work for different players. The player asked me, “What do you do?” And so here are my methods for dealing with nervousness – and it has a 100% success rate. I may not play well in a match, but I haven’t had a problem with nervousness in many decades. Plus when I follow these three simple things, I almost always play my best. Here’s my personal three-part technique.

1. I pretend my racket is a magic wand and I’m a magician. When I’m out there, I can do magic and make the ball do what I want it to do. I’ll think of myself as Jan-Ove Waldner, who’s often been called a magician at the table, and so have complete faith I can do the same, whether I’m serving, receiving, or rallying.
2. I remember my best matches. Often I’ll think back to perhaps the best match I ever played, when I beat Rey Domingo (2500 player), where the ball seemed to move in slow motion and everything I did worked – looping, smashing, blocking, receive, etc. – and I won easily. There was magic in that match, so all I have to do is recapture that magic and remember what it felt like.
3. I think about tactics. Your mind can’t think about two things at the same time, so if I’m focused on tactics, I can’t be nervous. Tactics is how you apply the magic from the two items above.

So, are you a magician? Have you had matches where you played great, the ball seemed to move in slow motion, and there was magic in the air? Are you focused on tactics when you play? This is what works for me. 

You have three weapons in table tennis - your Body, your Brain, and your Bat. The last is the least important. You can go to any club and try out others rackets and find the right fit, and you're done in one night. (Sorry, Equipment Junkies.) But the others take years to develop. 

Your body is second most important. At the higher levels, this becomes increasingly important. You can't throw yourself into shot after shot like an Olympian without having at least some minimal physical fitness. And yet there are players who play at a very high level who would never be mistaken for Olympians. And how do they do this? They use their most important asset.

Your brain is your most important asset in table tennis. It controls everything you do, either consciously or subconsciously. Consciously it decides how often you practice, what you practice, and how hard you practice. It makes the strategic long-term decisions on how to develop your game, and the short-term tactical decisions that make the most of what you have. Subconsciously it controls (or should control) all your shots from the serve to the actual strokes and racket angles. (That's why you train, so you can do these things automatically, i.e. subconsciously.) Table tennis is rightfully called "chess at light speed." It is the brainiest of sports.

Are you making full use of your brain?

When an opponent serves short to the forehand, many players reach in and return it with a nearly stiff wrist, and invariably go crosscourt with a forehand flip. Most players do this "Asian style," i.e. using the forearm to power the shot. This gives consistence and power, but less deception than the "European style" wrist flip. (The "Asian style" and "European style" monikers are from decades ago; these days many Europeans do it "Asian style" and vice versa, and many can do both ways.) To do this, approach the ball like any other flip. But at the last second, bring the wrist back, and brush the ball more on the inside (i.e. the back-left side of the ball, if you are right-handed). This puts the ball down the line, while your opponent has probably already moved to cover the opposite corner. The wrist must be very loose to do this shot. Advanced players can even sidespin the ball back with a right-to-left motion (for right-handers). Now, the next time you're at the club, you too can tell others that you now have the inside-out forehand floppy wrist flip. (Say that fast ten times. Another table tennis joy!)